
The Art of Becoming
Exploring the power of arts education to shape lives, build community, and cultivate creative practice.
A collaborative project bringing together Alena Marchak, Andrew Bencsko, Nato Thompson, and students from the High School of Art and Design to explore the role of arts education in shaping lives, building community, and cultivating creative practice. Luna and Irene.
Produced and Moderated by Saul Appelbaum
This special feature brings together Nato Thompson (founder of The Alternative Art School), Alena Marchak (Director of Education at Marian Goodman Gallery), and Andrew Bencsko (educator at the High School of Art & Design) to explore the role of arts education in shaping lives, building community, and cultivating creative practice.
The piece is accompanied by original visuals designed in collaboration with students from the High School of Art & Design, as part of an editorial design charrette led by Curator and partners.
BEGINNING: ESTABLISH THE WORLD
Saul Appelbalum: Andrew, I went to a Fine Art High School, and it was so impactful. It’s still so vivid, influential, and important to me today. I'm sure you've had a positive effect on a lot of students' lives. Thank you, genuinely. Will you give an overview of the High School of Art and Design and what you're up to at that program?
Andrew Bencsko: The High School of Art and Design has been in existence since 1937. It was started by four art teachers in New York City, and they wanted to provide a place for young creatives, But not just for the arts, but also to prepare them for a profession as in the arts. So originally it was started off as the High School of Industrial Arts. And then around the 1950s, it changed to the High School of Art and Design. And that name was deliberate in that art and design were two different entities, but that they were living harmoniously together in our school. We're an audition public school. So we have representatives from all five boroughs, Queens, Brooklyn, Manhattan, Bronx, and Staten Island. And they could choose between eight majors animation, architecture, cartooning, fashion, design, film, video, graphic design, illustration, and photography.
And it's like an art college light, if you will. And I don't want to diminish what we teach them here, but they have all their other academics. So they have a foundation and a tech class that they start off in freshman year. So they have a taste of a traditional commercial art by hand in their foundation class and in their tech class, they're learning about digital photography, graphic design, digital painting, photo manipulation, and film. And in their sophomore year, they have one period of art history and one period of their major. And then in their senior and junior year, they have a double period with their major.
SA: Alena, In the larger scheme of things it’s unique historically for a commercial gallery to have an educational program. When, how, and why did Marion Goodman Gallery start to focus on education?
Alena Marchak: We started it in 2021 during COVID. We've always had internships, and so students were coming into the gallery space, but we wanted to be a little bit different and reach out to different groups, more diverse groups, younger students, and offer workshops and tours, and just connect with students in a different way than we were. And diversity was really important to us.
So we wanted to focus on public schools in the city. We have worked with a number of public school teachers, and it ranges from preschool to high school. We've also worked with students at the university level.
We did our first project with Andrew and the High School of Art and Design in 2021, and we just continued working with him over the years and with different students. But also, we've worked with the same group of students on a couple projects, which is nice because you continue this relationship with the students. Now we also have education programming in Paris. In LA, we're starting to do it in LA as well. It's a bit organic. We try to organize projects and themes around the show that is up currently, but they rotate so quickly, so sometimes it’s based on artists we represent.
SPECIAL FOCUS ON LEPERELLO PROJECT AND MARIAN GOODMAN EDUCATION PROGRAM IN GENERAL
CURATOR SPECIAL PROJECT 001
COLLABORATORS
Alena Marchak
Director of Education, Marian Goodman Gallery
The Art of Becoming
Andrew Bencsko
Design Educator, High School of Art and Design
Spring 2025
Nato Thompson
Founder of The Alternative Art School